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Nobody Cares
Tina Lefevre O'Connor

Director of Recruitment at the College of the Holy Cross Andrew Carter helps students navigate one of the most persistent questions in the college application process.


One of the most common questions students ask about college essays is: What topic is most likely to impress my admissions officer? Should it be about a service experience? A personal challenge? A sport? The search for the perfect subject can feel like the most important decision in the entire application process.

When Andrew Carter, director of recruitment at the College of the Holy Cross, visited campus this week, he addressed that question directly.

Nobody cares.

The line landed with a mix of surprise and laughter, but Carter’s point was not that the essay itself is unimportant. It was that students often misunderstand what actually matters about it.

By the time admissions officers reach the essay, Carter added, they already know a great deal about the applicant through transcripts, recommendations, activity lists, and counselor reports. The essay serves a different purpose. It is not where students are asked to prove themselves again, but where they are given space to be understood differently. In that sense, it becomes less about performance and more about perspective, a brief moment of narrative after hours of structured review.

“Nobody cares,” Carter suggested, not in the sense that the essay does not matter, but that no topic carries hidden weight on its own. What matters is whether a student sounds like themselves on the page — specific, honest, and fully present in the story they choose to tell.

Much of the anxiety around the college essay, he explained, comes from uncertainty about the audience. Students spend years writing for people they know well: teachers who assign the work, answer questions, and provide feedback along the way. The college essay feels different. The audience is unknown, the expectations feel unclear, and the stakes feel unusually high.

That uncertainty, Carter argued, is what creates paralysis. Students begin trying to reverse engineer what admissions officers want to read rather than focusing on what they actually want to say. “You don’t know your audience,” he suggested, “and that creates frustration and anxiety.”


But the mistake, he emphasized, is assuming admissions officers are looking for a specific topic or category of story. In reality, there is no advantage to writing about one subject over another. “There is no connection between the topic of your essay and the quality of your essay,” he said.

Great essays, he noted, appear across every possible subject, including family stories, sports, service experiences, everyday moments, and unexpected missteps. Weak essays appear across those same categories. What matters is not the topic itself, but how fully a student engages with it.

To illustrate the point, Carter shared an anecdote from a visit to another high school, where a student asked him to help choose between two essay drafts. One described a summer job at a family restaurant, beginning with admiration for older siblings and ending with a chaotic but formative moment serving customers for the first time. The other centered on a community service experience the student felt she “should” write about.

The difference, Carter told students, was not in the experience itself but in how fully the student owned it. One essay felt lived in, full of embarrassment, humor, persistence, and a genuine emotional response. The other felt obligatory, written because the student believed it was what admissions officers expected to see.

For students, that reframing may be the most useful takeaway. The pressure to find the “perfect” topic may be misplaced. What matters more is choosing something they are willing to think about honestly and write about in their own voice.

 



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